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MPAA film rating system

(Redirected from R (rating))

The MPAA film rating system is a system used in the United States and instituted by the Motion Picture Association of America to rate a movie based on its content. It is one of various motion picture rating systems used to help patrons decide which movies may be appropriate for children.

The current MPAA movie ratings consist of:

  • Rated G – GENERAL AUDIENCES: All ages admitted.
  • Rated PG – PARENTAL GUIDANCE SUGGESTED: Some material may not be suitable for children.
  • Rated PG-13 – PARENTS STRONGLY CAUTIONED: Some material may be inappropriate for children under 13.
  • Rated R – RESTRICTED: Under 17 requires accompanying parent or adult guardian.
  • Rated NC-17 – No one 17 and under admitted.

If a film was never submitted for a rating, the label "NR" (Not Rated) is often used; however, "NR" is not an official MPAA classification. Films that have not yet received MPAA classification, but are expected to, are often advertised with the notice, "This film is not yet rated".

Contents

History

The MPAA film rating system was instituted in November 1968 as an alternative to federal regulation of motion picture content by the United States government. The United States came rather late to motion picture rating, as many other countries had been using rating systems for decades.

After the Production Code approval system was abandoned in the 1950s, movies had become more explicit and "realistic." The realism movement had its advantages and disadvantages: while it allowed for movies like Censored page's Psycho (1960) to be filmed, it also sparked a rise in low-budget exploitation films that became more and more explicit in their sexual and violent content.

In 1967, two movies, Ulysses and I'll Never Forget What's'isname, were released containing the word Censored page in their dialogue. This precipitated interest in the re-introduction of self-regulation. After a series of meetings with government representatives, the Motion Picture Association of America and National Association of Theatre Owners agreed to implement a uniform ratings system for all of its movies, a system that would be enforced by distributors and exhibitors (including movie theaters).

Earlier ratings

The original movie ratings consisted of:

  • Rated G – Suggested For GENERAL Audiences (including children).
  • Rated M – Suggested For MATURE Audiences: Parental Discretion Advised.
  • Rated R – RESTRICTED: Children under 17 (originally 16) not admitted unless accompanied by a parent or adult guardian; some theater chains specifically stated that the "adult guardian" must be at least 21.
  • Rated X – Children Under 17 Not Admitted; the notation "Age limit may vary in certain areas" was sometimes added.

Many parents thought films rated M contained more adult content than those that were rated R; this confusion led to its replacement in 1969 by GP:

  • Rated GP – General audiences/Parental guidance suggested.

In 1970 GP was changed to PG – Parental guidance suggested .

From the adoption of the system through the mid-1970s, it was not uncommon for mainstream films such as Airport, Planet of the Apes, The Odd Couple, and 2001: A Space Odyssey to be released with G ratings, but by 1978, that rating had become increasingly associated with films, often poorly made, intended specifically for children, while the PG rating became increasingly common for "family" films, with the G rating increasingly stigmatized by a public perception that a film so rated was a "dumb movie rated G for kids." This led to the PG rating becoming overloaded with everything from family films "spiced up" to avoid a G to very mature films that were "toned down" to avoid R ratings. It also led to the somewhat wag gish public connotation (never intended by the MPAA) of PG as "Pretty Good."

In 1984, the actions of Steven Spielberg led to the introduction of the PG-13 (Parents strongly cautioned) rating. [1] http://www.cnn.com/2004/SHOWBIZ/Movies/08/24/film.pg13.at20.ap/ Violent scenes in the PG-rated films Indiana Jones and the Temple of Doom (which he directed) and Gremlins (which he produced), were the catalyst. Public outcry about the violence led Spielberg to suggest a new PG-13 rating to Jack Valenti, who conferred with theater owners and then introduced the new rating on July 1. The rating still allows children under 13 to be admitted without a parent or guardian, but it cautions parents about potentially shocking violence or sexual content. The first movie to be released with a PG-13 rating was 1984's Red Dawn.

In the early years of the ratings system, X-rated movies such as Midnight Cowboy (1969) and A Clockwork Orange (1971) could win Academy Award nominations and awards. But the rating, which wasn't trademarked, was usurped by the adult entertainment industry to the point where an X rating (which was never intended to imply anything about the nature of the adults-only content) became equated strictly with pornography.

This led to large number of newspapers and TV stations refusing to accept ads for X-rated movies, and some theaters' landlords forbade exhibition of X-rated movies. Such policies led to a compromise with the distributors of George Romero's 1979 horror film Dawn of the Dead: the audience restriction for X would be enforced, but the letter "X" itself would not appear in the film's advertisements or displays, with the following message being substituted: "There is no explicit sex in this picture; however, there are scenes of violence which may be considered shocking. No one under 17 will be admitted." The same dispensation was granted to some later horror films, including Zombie and Day of the Dead.

The MPAA introduced the NC-17 (not for children 17 or under) rating on September 27, 1990 to differentiate MPAA-rated adult-oriented films from movies rated X by their producers. This move was largely prompted by Universal Pictures' Henry & June (1990), which would have otherwise received a dreaded X rating. However, media outlets which refused ads for X-rated titles simply transferred that policy to NC-17 titles, as did many theater landlords; large video chains including Blockbuster Video and Hollywood Video refuse to stock NC-17 titles. While a number of movies have been released with the NC-17 rating, none of them has been a box-office hit.

The rating process

While the MPAA does not publish an official list of all the exact words, actions, and exposed body parts used to determine a movie's rating, some details have nonetheless been made available:

  • if a film uses "one of the harsher sexually-derived words" (such as Censored page) once, it remains eligible for a PG-13 rating, provided that the word is used as an Censored page and not in a sexual context;
  • if such language is used more than once, or once if in a sexual context, it usually receives an R rating; therefore
  • a reference to drugs usually gets a movie a PG-13 at a minimum, though a few movies were rated PG for mild drug references;
  • a "graphic" or "explicit" drug scene earning a film an R at a minimum;
  • while total female nudity is permitted in an R-rated movie, any display of naked male genitalia will (usually) result in an NC-17 rating. Non-sexual male nudity is the one exception.

Members of the MPAA's Rating Board view the movie, discuss it, and vote on the film's rating. If the movie's producer is unhappy with this rating, (s)he can re-edit the film and re-submit it, or can appeal to an Appeals Board. In nearly all appeals the film was rated R and the producer was seeking to have the rating changed to PG-13.

Effects of ratings

Legally, the rating system is entirely voluntary. However, given that MPAA member studios are expected to submit all of their theatrical releases for rating, and few mainstream producers (outside the pornography niche) are willing to bypass the rating system due to potential effects on revenues, the system has a de facto compulsory status in the industry.

One of the unintended side effects of the rating system is that the G and (in recent years) PG ratings have been associated with childrens' films and are widely considered to be commercially bad for films targeted at teenagers and adults. In a number of cases, such as the movie Sneakers or Mystery Science Theater 3000: The Movie, directors have intentionally added profanity in order to avoid the G rating.

The minimum age for unaccompanied patrons at R films, and all patrons at X films, was originally set at 16 and by 1970 raised to 17, though theater owners could still allow children into R-rated (but, at least in theory, not X-rated) films without being accompanied by an adult since the rating system is technically voluntary and does not have the force of law behind it (those films with strong enough content to merit an X rating being presumably subject to obscenity laws at one governmental level or another). In the 1970s the East Coast-based Century theater chain used its own rating system, with only three categories instead of four: For All Ages, For Mature Audiences and No One Under 17 Admitted, with most, but not all, R-rated films receiving the middle designation, under which no age limits were enforced.

Many films which are rated R have been targeted at teenage audiences. In 2000, due to issues raised by Senator Joseph Lieberman, the National Association of Theater Owners, the major trade association in the U.S., announced it would start strict enforcement of ID checks for R-rated movies.

The 2001 independent film L.I.E. challenged its NC-17 rating and waged a publicity campaign against the arbitrary nature of the ratings system. Lot 47 , the film's distributor, lost its appeal, and released the film unrated. With the recent success of another NC-17 film, The Dreamers, some film producers and directors hope that the rating may begin to lose some of its stigma and more movie theaters will consider playing such films.

Video has allowed studios to skirt the rating system and release unrated versions of films on videocassette and DVD. Sometimes these versions would have earned an NC-17 if submitted for rating, but often their unrated status is merely for marketing purposes, with the implication that the added unrated material is racier than an R rating would permit. For example, one DVD release of American Pie, rated R in its theatrical release, exclaims on the box, "UNRATED! The Version You Couldn't See In Theaters". Sometimes the difference between an R-rated feature and its unrated home video counterpart is as little as a few seconds. A number of filmmakers have also taken to filming additional footage specifically for video or DVD release, with no intention of submitting this material to the MPAA.

Some foreign and independent films do not bother to submit to the rating system, reasoning that they will not be distributed widely beyond their art-house audience, so the expense is unnecessary.

Critics of system

The movie rating system has had a number of high-profile critics. Film critic Roger Ebert argues that the system places too much emphasis on not showing sex while allowing the portrayal of massive amounts of gruesome violence. Moreover, he argues that the rating system is geared toward looking at trivial aspects of the movie (such as the number of times a profane word is used) rather than at the general theme of the movie (for example, if the movie realistically depicts the consequences of sex and violence). He has called for an A rating, to indicate films high in violence or mature content which should not be marketed to teenagers, but do not have NC-17 levels of sex (or that rating's cachet).

Perhaps with these objections in mind, the United States Conference of Catholic Bishops' Office for Film and Broadcasting (a descendant of the once-powerful National Legion of Decency) maintains its own film-classification system, which takes the overall "moral tone" (according to its point of view) of a film into account, rather than focusing on content alone.

Many critics of the system, especially independent distributors, have charged that major studios' releases often receive more lenient treatment than independent films. It is widely assumed that Saving Private Ryan, with its intense depiction of the D-Day invasion of Normandy, would have earned an NC-17 if it were not a Steven Spielberg film. The comedy Scary Movie, released by a division of The Walt Disney Company's Miramax Films, contained "strong crude sexual humor, language, drug use and violence" but was rated R, to the surprise of many reviewers and audiences; by comparison, the comparatively tamer porn spoof Orgazmo, an independent release, contained "explicit sexual content and dialogue" and received an NC-17.

Ironically, before its purchase by Disney, Miramax heads Bob and Harvey Weinstein often clashed with the MPAA, proclaimed the rating system unfair to independents, and released some films unrated to avoid an X or NC-17. Orgazmo director Trey Parker's ratings battles later inspired the (R-rated) film South Park: Bigger, Longer & Uncut, which directly criticized the MPAA and holds the Guinness world record for most profanity and violence in an animated feature (399 profane words, 128 offensive gestures and 221 acts of violence).

On June 13, 2004, the Harvard School of Public Health released a study documenting "ratings creep" as more adult content is allowed in films at a given rating than was allowed in the past. [2] http://www.nytimes.com/2004/07/14/movies/14MOVI.html?ex=1247457600&en=0ba776b438
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The study reports:

"The MPAA appears to tolerate increasingly more extreme content in any given age-based rating category over time. Movies with the same rating can differ significantly in the amount and type of potentially objectional content. Age-based ratings alone do not provide good information about the depiction of violence, sex, profanity and other content."

Films rated PG-13, in particular, seem to be exhibiting the most "ratings creep" as more features that would have received R ratings even five years ago are now receiving the lesser rating.

See also

External links

  • MPAA Movie Ratings website http://www.mpaa.org/movieratings/
  • searchable ratings database http://www.filmratings.com
  • MPAA rating history and how it works http://www.mpaa.org/movieratings/about/index.htm by Jack Valenti


Last updated: 03-18-2005 11:16:12