Carel Fabritius (1622-1654) was a Dutch painter and one of Rembrandt's most gifted pupils.

Fabritius was born in Middenbeemster where he is thought to have spent a while working as a carpenter. In the early 1640s he studied at Rembrandt's studio in Amsterdam along with his brother Barent Fabritius . In the early 1650s he moved to Delft, but only joined the Delft painters' guild in 1652. He died young, when he was caught in the explosion of the Delft gunpowder magazine on October 12 1654, which destroyed a quarter of the city along with his studio and many of his paintings. Only about a dozen paintings have survived.

Of all Rembrandt's pupils, Fabritius was the only one to develop his own artistic style. A typical Rembrandt portrait would have a plain dark background with the subject defined by spotlighting. In contrast, Fabritius' portraits have light coloured, textured backgrounds and delicately lit subjects. Moving away from the Renaissance focus on iconography, Fabritius became interested in the technical aspects of painting. He used cool colour harmonies and a lighter control of colour to create shape in a luminarist style of painting.

Fabritius was also interested in perspectival effects as can be seen in the exagerated perspective of A View in Delft, with a Musical Instrument Seller's Stall (1652). He also showed excellent control of a heavilly loaded brush, as in The Goldfinch (1654). All these qualities appear in the work of Delft's most famous painters Vermeer and de Hooch; it is likely that Fabritius was a strong influence on them.

List of works

• 1640 Abraham de Potter, oil on canvas, 68.5 x 57 cm, Rijksmuseum Amsterdam
• ca. 1640 The Behaeding of John the Baptist, oil on canvas, 149 x 121 cm, Rijksmuseum Amsterdam
• 1643 The Raising of Lazarus, oil, Polish National Museum in Warsaw
• 1643/45 Hagar and the Angel, oil on canvas, 157.5 x 136 cm, Residenzgalerie Salzburg
• 1646 Portrait of an old man, oil on board, musée du Louvre
• 1646 - 1651 A Girl with a Broom, oil on canvas, 107.3 x 91.4 cm, signed as Rembrandt, National Gallery of Art Washington D.C
• 1650 Self portrait, oil on board, 65 x 49 cm, Museum Boijmans Van Beuningen Rotterdam
• 1652 A View of Delft, with a Musical Instrument Seller's Stall, oil on canvas on pane, 15.4 x 31.6 cm, National Gallery London

• 1654 The Goldfinch, oil on panel, Mauritshuis The Hauge
• 1654 The Sentry, oil on canvas, 68 x 58 cm, Art Museum of Schwerin Schwerin
• 1654 Young Man in a Fur Cap, oil on canvas, 70.5 x 61.5 cm, National Gallery London (probably a self portrait)

References

• The Oxford Dictionary of Art ISBN 0192800221
• Biography at Residenzgalerie Salzburg
• Olga's Gallery
• Adventure's in Cybersound interest in unusual perspectives.

External links

• Description of the View of Delft at the National Gallery] London