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Bagpipe)
Bagpipes are a class of musical instrument, aerophones using enclosed reeds. The term is equally correct in the singular or plural, although pipers most commonly talk of "pipes" and "the bagpipe". Skirl is the shrill sound made by the chanter or drone pipes.
Overview
The bagpipes consist of an airtight bag, which can supply a continuous stream of air. Air is supplied either by a set of bellows or by a blowpipe; the inlet to the bag normally has a one-way valve which prevents air from returning via the supply. Every bagpipe has a chanter, upon which the melody is played, and most have at least one drone harmony, although there are lots(relatively)of important exceptions to this rule. All these pipes are attached to the bag by a stock, a small, usually wooden, cylinder which is tied into the bag and which the pipe itself plugs into. The bag usually consists of leather, but in more recent times many other materials, such as rubber and Gore-Tex have become popular amongst many pipers, particularly Highland pipers.In the Middle east, and the Balkans, a whole goatskin is used, cured with salt and alum. The melody pipe, or chanter can have a single or double reed and a cylindrical or conical bore. The drone(s) have single tongue reeds with the exception of the Italian Zampogna and the French Musette du Cour which have double reeds, (in conical bores for the Zampogna, and cylindrical bores for the Musette).
This list of parts refers to the picture opposite:
- Chanter
- Bag
- Stock
- Blowstick or blowpipe
- Tenor drones
- Bass drone
- Tuning Slide
- Cords
History
The history of the bagpipe is very unclear, and worse, many of the secondary sources from the nineteenth and early twentieth sources are misleading or verging on fantasy (the works of Grattan Flood are particularly bad in this respect, but continue to be quoted and referenced to the present day). For example, an oft-repeated claim is that the Great Highland Bagpipe was banned after the '45 Rising. This claim is untrue; there is no mention of the bagpipe in the Act of Proscription, and the entire myth seems to stem from the letterpress of Donald MacDonald's Martial Music of Caledonia, written by an unknown Romantic. However, it seems likely they were first invented in pre-Christian times. Nero is generally accepted to have been a player; there are Greek depictions of pipers, and the Roman legions are thought to have marched to bagpipes. The idea of taking a leather bag and combining it with a chanter and inflation device seems to have originated with various ethnic groups in the Roman empire.
Where they were first introduced to Britain and Ireland is debatable, though Ireland has references going back to the Dark Ages. An explosion of popularity seems to have occurred from around the year 1000; the tune used by Robert Burns for "Scots Wha Hae", "Hey Tutti Taiti", is traditionally said to have been the tune played as Robert the Bruce's troops marched to Bannockburn in 1314.
Types
There are many kinds of bagpipes; the following is an overview of some of the most common:
The Great Highland Bagpipe
Probably the most well known are the Great Highland Bagpipes (commonly abbreviated GHBs), which were developed in Ireland and Scotland. The picture above shows a set of Great Highland Bagpipes. A modern set has two tenor drones (an octave below the fundamental of the chanter), one bass drone (an octave below the tenor), a blowpipe and a chanter pitched in B flat with a mixolydian scale (usually referred to and always written as A). This type of bagpipe is widely used by both soloists and pipe bands (civilian and military), and is now played in countries around the world, particularly countries with strong colonial or emigrant associations, most particularly Canada, America, Australia, New Zealand, and South Africa. Additionally, Pollig Monjarret introduced the GHB to Brittany during the "celtic" revival of the 1920s Breton folk music scene, inventing the bagad, a pipe band incorporating the GHB, the Scottish pipe band drum section, the bombarde and latterly almost any instruments, from model elephants,to small jazz orchestras. Well known bagads include Bagad Brieg, Bagad Kemper, and Bagad Cap Caval. In Brittany, the GHB is known as the Biniou Brahz , meaning Great Biniou, referring to the biniou, the small traditional Breton bagpipe.
In the late Middle Ages the instrument was played throughout Scotland , Ireland, and the European continent, though with several different drone configurations, including a single tenor drone, two tenor drones, and a tenor drone plus a bass drone. It is not clear how much of this was due to regional variation or simply alternative arrangements of the instrument. The modern configuration of two tenor drones and one bass drone was standardised in the early 1800s. The instrument largely died out in Ireland before the 1700s, but In the late 1800s a number of Irish pipers revived it in Ireland along with the Brian Boru pipe (see below). The former was essentially a Great Highland Bagpipe with a bass drone and a single tenor and was often inaccurately termed the Irish Warpipes, although this drone configuration does not appear to have had any specific association with Ireland before about 1900. Indeed, this configuration was often played in Scotland in the 1700s. In all other respects the instrument was identical with the Great Highland Bagpipe, and the names should be regarded as synonymous. The two-drone pipe is now an extreme rarity even in Ireland, having been replaced by the three-drone pipe.
As with other types of bagpipe, the fact that the air flow is kept continuous means that two notes cannot be separated by simply stopping blowing or tonguing or the like. The gracenote is therefore used for this purpose. A number of other more complicated ornaments are used, such as doublings, taorluaths, grips and birls, and these are used for emphasis on, say, the first beat of a bar, or just as a more musical way to get from one note to the next.
A smaller, quieter instrument, the practice chanter, with a smaller reed than the GHB chanter reed, and lacking a bag or drones, is suitable for practice in settings where a great volume of sound would be inappropriate or unappreciated. Another practice instrument, called a goose, has a bag but lacks drones, and allows a student to practice "winding" the pipe with the proper mix of breath and bag pressure.
The Irish Uilleann Bagpipe
The next most common type is the Irish or Uilleann (pronounced illin) bagpipe; this vies with the Northumbrian smallpipe for the title of most developed bagpipe in existence. This Irish bellows-blown pipe plays a two octave diatonic scale in D major and a cross-fingered C natural is used to play a huge number of G major tunes (indeed, tunes in G major probably outnumber those in D in the Irish traditional music canon) Also tunes in E minor, A minor, and D mixolydian. The second octave is produced by overblowing, and extra keys and/or cross-fingering can be used to produce other tones than those in a diatonic D major scale. The most commonly added keys are a C natural,B flat,G sharp, and an F natural key. Although the chanter does not have a completely closed end, like the Northumbrian smallpipes, the player can press the end of the chanter against a leather pad on his/her knee while closing all fingerholes, producing complete silence. This is used to play short staccato passages. The leather pad is sometimes replaced by an air-tight key at the end of the chanter bore, which supposedly makes it easier to close the pipe completely with the knee. The Uilleann pipes also have three drones (although there are a few examples of sets with four drones, these are non-standard), set in a common stock, all tuned to three different octaves of D, and up to three (or in rare cases four and five) regulators which are effectively a kind of plugged chanter with keys, designed to be played by the wrist. Accomplished players can use these to provide a limited but powerfully impressive chordal accompaniment, while playing the chanter at the same time, and with/with out the drones, which have their own on/off switch. Often Uillean pipes are found without any drones or regulators; these sets are called somewhat misleadingly "practice sets". In fact, many pipers use these sets for their entire piping careers. Another common choice is to have only the drones, without regulators. This is known as a half-set. A final occasional variant, the three-quarter set, omits the bass regulator. A "full set" is a chanter, 3 drones (tenor,baritone,and bass)3 regulators (treble, baritone, and "G"bass) The pitch that the Irish pipes can be in different keys: E flat, D, C, B, and B flat. The lower pitch sets are very quiet.
The Northumbrian Smallpipe
The Northumbrian smallpipe is a bellows-blown pipe which, as noted above, shares the unusual characteristic with the Uilleann pipes of being able to stop the sound of the chanter. This is done by giving the chanter a completely closed end. This combined with the unusually tight fingering (each note is played by lifting only one finger) means that much Northumbrian piping tends to be very staccato in style. The chanter has a number of keys, most commonly seven, but chanters with a two octave range can be made which require seventeen keys, all played with either the right hand thumb and left hand pinkie. There is no overblowing to get this two octave range, due to the cylindrical bore, the keys are integral, along with the length of the chanter, to obtain the two octaves. The oridginal (18th century) short keyless chanters only had the range of one octave. In practice, few players find they require anything more complex than an seven key chanter. Traditionally, the chanter is pitched in what Northumbrian pipers refer to as F+, a pitch approximately twenty cents sharp of F natural. The music, however, is always written in G. Nowadays, chanters are available anywhere from D to G, G and true F natural being the most popular for playing ensemble. There are usually four drones on the Northumbrian pipes, which can be tuned to several different combinations of pitch for playing in different keys.
The Scottish Smallpipe
The Scottish smallpipe is a bellows-blown bagpipe developed from the Northumbrian smallpipe by Colin Ross (1970s), to be playable according to the Great Highland Bagpipe fingering system. Historical antecedents do exist, but modern designs are not based on these and there is no unbroken line of traditional playing. Most modern players use any comfortable open fingering or are trained GHB players. It has a cylindrical bore chanter, most commonly pitched in A, although any key is feasible; D, C, and B flat are the next most common keys. They are most commonly unkeyed, but occasionally G sharp, F natural, and C natural keys are added. It is possible to add enough keys to produce a two-octave chromatic scale, but this is rarely done. The present writer cannot think of any prominent piper using such a set, and the most keys witnessed on a chanter is 6, giving an range of low G to high C in G major on an A chanter. The drones are set in a common stock and are tuned an octave below the tonic, either the fifth or an octave below the fifth (a few players choose to tune this to the fourth instead), and two octaves below the tonic. It is perhaps the youngest bagpipe with any popularity, having only existed since its invention in the early 1980s. It is however extremely popular, particularly with Highland pipers, many of whom keep it or a Border pipe as a second instrument. Mouth-blown versions are available, but it is difficult to produce quality tone from these instruments due to the reed's delicate construction.
The Biniou
The Biniou is a mouth blown bagpipe from Brittany, a region of France. It has a one octave scale, and is very high pitched; an octave higher than the Scots Great Highland Bagpipe. It has a single drone two octaves below the tonic. Traditionally it was played as a duet with the bombarde, for Breton folk dancing. It is the most famous bagpipe of France, but not the most played due to the revival of other French bagpipes in other regions, Bourbonais, Limousin, Auvergne, etc.
Center-France bagpipe
The Center-France bagpipe is another bagpipe rebuilt in the 1970s from older specimens. It is identical to the modern Flemish bagpipe, apart from the positioning of the drones. It has been successfully revived in France, where there are a number of schools, and is played for Bal folk , traditional French set dancing.
The Border Pipe
The Border pipe is a close cousin of the Highland bagpipe, and commonly confused with the Scottish smallpipe, although it is a quite different and much older instrument. With a conical chanter, three drones in a common stock, tuned as per Highland pipes or Scottish smallpipes, this bagpipe combines the Highland pipe tone with the more manageable key of A, and lower volume, suitable for playing in folk bands and at informal folk sessions. Other names for this pipe are Scots lowland pipes, the Cauld (cold) Wind Pipes (due to the air from the bellows), and the Northumbrian Half-Long pipes.
The Gaita
Gaita is the Spanish and Portuguese name for the bagpipe used in Galicia, Asturias and northern region of Portugal. It has a conical chanter with a partial second octave, obtained by overblowing. Pipe bands and folk groups playing these instruments have become popular in recent years.
Gaitas can be found in the keys of G,A, B flat,B, C, C sharp (Do brillante), and D, with some groups using a combination of keys. For example: there may be several sets in C and a set in G acting as a bass, or A and D together and so on for a bagpipe "choir" (different ranges played together). For many years the playing of close harmony (thirds and sixths) with two gaitas of the same key was/is the normal style, and this influenced the French pipers, starting in the 1970s, who began the bagpipe "ensemble des cornemuses", or bagpipe choirs. Bulgaria also had similar choirs starting in the 1950s, with gaidas in different keys. (Gaida= goat,the bag is a whole, case-skinned goat hide.) Gaitas have various drone arrangements. All will have a bass drone(roncon= snorer), which sits horizontally over the player's shoulder. Some will also have a tenor drone, pitched an octave higher than the bass, and a few have a 'screamer'(ronquito). This last is in unison with the fifth of the chanter scale, and has a plug to close it off, if it becomes too irritating!
The Brian Boru Bagpipe
The Brian Boru bagpipe was invented in 1910 by Henry Starck, an instrument maker in London, in consultation with some Irish pipers. The name was chosen in honour of the Irish king Brian_Boru, though the pipe is not a recreation of any pipes that were played at that time. The Brian Boru pipe is related to the Great Highland Bagpipe but with a chanter that adds four to ten keys to extend both the upper and lower ends of the scale, and optionally adds chromatic notes. His original pipes changed the drone configuration to a single tenor drone pitched one octave below the chanter, a baritone drone pitched one fifth below the tenor drone, and a bass drone pitched two octaves below the chanter. Some later designs of these pipes reverted back to the Great Highland Bagpipe configuration of two tenor drones and one bass drone. The Brian Boru bagpipe was played for a number of years by the pipe band in the Royal Inniskilling Fusiliers, as well as a number of civilian pipe bands. It is still played in Northern Ireland but has lost most of its former popularity. Bagpipe makers in Pakistan still make the chanters.
Categories
Regardless of origin of the instrument, bagpipes can be classified into several broad categories.
- Is the instrument mouth blown or bellows driven?
- Has the chanter a conical bore or cylindrical?
- Are the chanter reeds single or double?
Other types
There are literally hundreds of types of bagpipe; what follows is not by any means an exhaustive list.
- Bock : Czech bellows-blown bagpipe with a long, crooked drone and chanter that curves up at the end
- Cornemuse : French bagpipe featuring a bass drone and a tenor drone that emerges from a common stock with the chanter.
- Cornish pipes : extinct English bagpipe undergoing revival
- Duda : Hungarian Bagpipe with one drone and one chanter
- Dudelsack : German bagpipe with two drones and one chanter
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Gaida : Bulgarian bagpipe with one drone and one chanter
- Lancashire Great-pipe : another extinct English bagpipe undergoing revival
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Musette : French Ancestor of the Northumbrian pipes. The shuttle design for the drones was recently revived and added to a mouth blown Scottish smallpipe.
- Pastoral bagpipe : Ancestor of the Irish bagpipe, played by the Scots and N.E. English as well!
- Sac de gemecs : Used in Catalonia.
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Tulum : Turkish bagpipe featuring two parallel chanters, usually played by the Laz people.
- Zampogna : An Italian bagpipe, with an unusual arrangements of multiple chanters that act as drones when not being played.
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Säckpipa : Also the Swedish word for 'bagpipe' in general, this instrument was on the brink of extinction in the first half of the 20th century. It has a cylindrical bore and a single reed, as well as a single drone at the same pitch as the bottom note of the chanter.
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Schweizer Sackpfeife (Swiss bagpipe): In Switzerland, the "Sackpfiffe" was a common instrument in the folkmusic from the middle-age to the early 18th century – documented by iconography and in written sources (one or two drones and one chanter with double reeds).
Pieces with bagpipes
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Ur Og and Aji, for 4 bagpipes, bass clarinet & tabla by Canadian composer Michael O'Neill .
- "Orkney Wedding, With Sunrise" by Sir Peter Maxwell Davies
- On an interesting note, nu-metal band KoRn often uses bagpipes in their songs (played by vocalist Jonathan Davis).
- Heavy metal band, AC/DC are regarded as the instigators of the marriage of bagpipes and rock and roll. Irish-American punk rock stalwarts, the Dropkick Murphys also incorporate bagpipes into their sound.
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Orchestra Macaroon - Breakfast In Balquhidder -Scottish Latin-American jazz folk-rock with the apposite "Warning: This product may contain traces of bagpipes".
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Sinfonia Concertante for Six Solo Instruments and Orchestra by P.D.Q. Bach features bagpipes as one of the six instruments.
- Originally a hymn, "Amazing Grace" is often thought of as a bagpipes tune since it is particularly powerful on the pipes and is commonly heard at funerals when the pipes are present.
- In the video game Dance Dance Revolution EXTREME, the song bag is composed of synthesized bagpipe sounds.
Bagpipe humour
Even among aficionados, it is recognized that bagpipes, bagpipers, and bagpipe music can all be legitimate sources of humour. A typical gentle-jab at the field is exemplified by the following joke:
- The music of the pipes is best appreciated when heard over a body of water.
- The width of the Atlantic Ocean is usually considered to be sufficient.
External links
Last updated: 09-03-2005 18:37:12
