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Achaemenid dynasty

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The Achaemenid Dynasty was a dynasty in the ancient Persian Empire, including Cyrus II the Great, Darius the Great and Xerxes I. At the height of their power, the Achaemenid rulers of Persia ruled over territories roughly encompassing some parts of today's Iraq, Egypt, Syria, Pakistan, Jordan, Israel, Lebanon, Armenia, Central Asia, Caucasia and the Asian portion of Turkey.

At different times, the Achaemenids also ruled Egypt, although the Egyptians twice regained their independence from Persia. After the practice of Manetho, Egyptian historians refer to the period in Egypt when the Achaemenid dynasty ruled as the Twenty-seventh (525 BC - 404 BC) and Thirty-first Dynasties (343- 332 BC).

The last Achaemenid king was Darius III (336 BC - 330 BC), who was defeated by Alexander III of Macedon. After the Macedonian conquest, the Persian Empire was annexed by Alexander.


Contents

History


The founder of this dynasty was supposedly Achaemenes (Old Persian Haxāmaniš "Of Friendly Mind"), king of Anšān. He was succeeded by his son Teispes (Cišpi). Inscriptions indicate that when Teispes died, two of his sons shared the throne as Cyrus I (Kūru), king of Anšān, and Ariaramnes (Ariyāramna "Having the Iranians at Peace"), king of Parsua (later called Pārsa "Persia", hence Fārsi, the native name for modern Persian). They were succeeded by their respective sons Cambyses I (Kambūjiya), ruler of Anšān, and Arsames (Aršāma "Having a Hero's Might").

In 559 BC, Cambyses the Elder was succeeded as king of Anšān by his son Cyrus II the Great, who also succeeded the still-living Arsames . Cyrus II is considered to be the first king of the Achaemenid dynasty to be properly called so, as his predecessors were subservient to Media. Cyrus II conquered Media, Lydia and Babylon.

His successors were less successful. Cyrus's unstable son, Cambyses II, conquered Egypt but later he died in July, 522 BCE, as the result of either an accident or suicide during a revolt led by a priest, Gaumata, who usurped the throne by pretending to be Bardiya (Cambyses' brother, who had been assassinated secretly before Cambyses started out for his Egyptian campaign in 525 BCE) until overthrown in 522 BCE by a member of a lateral branch of the Achaemenid family, Darius I (also known as Darayarahush or Darius the Great).

According to Herodotus, the native leadership then debated the best form of government for the Empire. He reports that it was decided that oligarchy would divide them against one another and democracy would bring about mob rule resulting in a charismatic leader resuming the monarchy. Therefore, they decided a new monarch was in order, particularly since they were in a position to choose him. The monarch, Darius I (Old Persian Dārayawuš "Who Holds Firm the Good"), was chosen from amongst the leaders. He was cousin to Cambyses II and Smerdis, claiming Ariaramnes as his ascestor.

Darius attacked the Greek mainland, which had supported rebellious Greek colonies under his aegis, but as a result of his defeat at the Battle of Marathon in 490 was forced to retract the limits of the empire to Asia Minor.

The Achaemenids thereafter consolidated areas firmly under their control. It was Cyrus and Darius who, by sound and farsighted administrative planning, brilliant military maneuvering, and a humanistic worldview, established the greatness of the Achaemenids and in less than thirty years raised them from an obscure tribe to a world power.

The zenith of Achaemenid power was achieved during his reign (521 BC-485 BC) and that of his son Xerxes I (485 BC - 465 BC, Old Persian Xšāyaršā"Hero Among Kings"). These two rulers built great, beautiful palaces in the ancient cities of Persepolis, Susa and Ecbatana (Hagmatāna "City of Gatherings"). The Persian Empire reached its greatest extension in this period.


System Of Governing


The Achaemenids were enlightened despots who allowed a certain amount of regional autonomy in the form of the satrapy system. A satrapy was an administrative unit, usually organized on a geographical basis. A satrap (governor) administered the region, a general supervised military recruitment and ensured order, and a state secretary kept official records. The general and the state secretary reported directly to the central government. The twenty satrapies were linked by a 2,500-kilometer highway, the most impressive stretch being the royal road from Susa to Sardis, built by command of Darius. Relays of mounted couriers could reach the most remote areas in fifteen days. Despite the relative local independence afforded by the satrapy system however, royal inspectors, the "eyes and ears of the king," toured the empire and reported on local conditions, and the king maintained a personal bodyguard of 10,000 men, called the Immortals.


The language in greatest use in the empire was Aramaic. Old Persian was the "official language" of the empire but was used only for inscriptions and royal proclamations.


Darius revolutionized the economy by placing it on a silver and gold coinage system. Trade was extensive, and under the Achaemenids there was an efficient infrastructure that facilitated the exchange of commodities among the far reaches of the empire. As a result of this commercial activity, Persian words for typical items of trade became prevalent throughout the Middle East and eventually entered the English language; examples are, bazaar, shawl, sash, turquoise, tiara, orange, lemon, melon, peach, spinach, and asparagus. Trade was one of the empire's main sources of revenue, along with agriculture and tribute. Other accomplishments of Darius's reign included codification of the data, a universal legal system upon which much of later Iranian law would be based, and construction of a new capital at Persepolis, where vassal states would offer their yearly tribute at the festival celebrating the spring equinox. In its art and architecture, Persepolis reflected Darius's perception of himself as the leader of conglomerates of people to whom he had given a new and single identity.

The Achaemenid art and architecture found there is at once distinctive and also highly eclectic. The Achaemenids took the art forms and the cultural and religious traditions of many of the ancient Middle Eastern peoples and combined them into a single form. This Achaemenid artistic style is evident in the iconography of Persepolis, which celebrates the king and the office of the monarch.

Decline

After the death of Xerxes I (465 BC), the decline of the dynasty began. Persia saw a sequence of weak rulers ruling the empire. Decadence became rampant and the army, finance and government administration were neglected. The last Achaemenid king was Darius III (336 BC - 330 BC), who was defeated by Alexander III of Macedon. After the Macedonian conquest, the Persian Empire was annexed by Alexander.

Art



Achaemenid art, like Achaemenid religion, was a blend of many elements. In describing, with justifiable pride, the construction of his palace at Susa, Darius says,

The cedar timber (a mountain by name Lebanon) from there it was brought the yaka timber was brought from Gandara and from Carmania . The gold was brought from Sardis and from Bactria . . . the precious stone lapis-lazuli and carnelian . . . was brought from Sogdiana. The turquoise from Chorasmia The silver and ebony from Egypt the ornamentation from Ionia the ivory from Ethiopia and from Sind and from Arachosia The stone-cutters who wrought the stone, those were Ionians and Sardians. The goldsmiths were Medes and Egyptians. The men who wrought the wood, those were Sardians and Egyptians. The men who wrought the baked brick, those were Babylonians. The men who adorned the wall, those were Medes and Egyptians.

This was an imperial art on a scale the world had not seen before. Materials and artists were drawn from all the lands ruled by the Great King, and thus tastes, styles, and motifs became mixed together in an eclectic art and architecture that in itself mirrored the empire and the Persians' understanding of how that empire ought to function. Yet the whole was entirely Persian. Just as the Achaemenids were tolerant in matters of local government and custom, as long as Persians controlled the general policy and administration of the empire, so also were they tolerant in art so long as the finished and total effect was Persian. At Pasargadae, the capital of Cyrus the Great and Cambyses in Fars, the Persian homeland, and at Persepolis, the neighbouring city founded by Darius the Great and used by all of his successors, one can trace to a foreign origin almost all of the several details in the construction and embellishment of the architecture and the sculptured reliefs, but the conception, planning, and overall finished product are distinctly Persian and could not have been created by any of the foreign groups who supplied the king of kings with artistic talent. So also with the small arts, at which the Persians excelled: fine metal tableware, jewelry, seal cutting, weaponry and its decoration, and pottery. It has been suggested that the Persians called on the subject peoples for artists because they were themselves crude barbarians with little taste and needed quickly to create an imperial art to match their sudden rise to political power. Yet excavations at sites from the protohistoric period show this not to have been the case. Cyrus may have been the leader of Persian tribes not yet so sophisticated nor so civilized as the Babylonians or Egyptians, but, when he chose to build Pasargadae, he had a long artistic tradition behind him that was probably already distinctly Iranian and that was in many ways the equal of any. Two examples suffice: the tradition of the columned hall in architecture and fine gold wor! k. The former can now be seen as belonging to an architectural tradition on the Iranian Plateau that extended back through the Median period to at least the beginning of the 1st millennium BC. The rich Achaemenid gold work, which inscriptions suggest may have been a specialty of the Medes, was in the tradition of the delicate metalwork found in Iron Age II times at Hasanlu and still earlier at Marlik. In its carefully proportioned and well-organized ground plan, rich architectural ornament, and magnificent decorative reliefs, Persepolis, primarily the creation of Darius and Xerxes, is one of the great artistic legacies of the ancient world.

Contributions


The Achaemenids should be noted for their most important contribution to the world: the first declaration of human rights. This declaration is called the "Cyrus Charter of Human Rights". Cyrus the Great, son of the founder of the dynasty, fought the Babylonians and gave the jews freedom to practice their religion.


This is a confirmation that the Charter of freedom of Humankind issued by Cyrus the Great on his coronation day in Babylon could be considered superior to the Human Rights Manifesto issued by the French revolutionaries in their first national assembly. The Human Rights Manifesto looks very interesting in its kind regarding the expressions and composition, but the Charter of Freedom issued twenty three centuries before that by the Iranian monarch sounds more spiritual.

Achaemenid rulers

†The epigraphic evidence for these rulers is highly suspect, and often considered to have been invented by Darius I.

External links

See also


External links

See also

Last updated: 05-07-2005 08:18:46
Last updated: 05-07-2005 18:09:53