This entry is about the television scriptwriter. For the composer of the same name, see Robert Holmes (composer).

Robert Colin Holmes (born 1928, Hertfordshire, England; died May 24 1986) was a British television scriptwriter, who for over twenty-five years contributed to some of the most popular programmes screened in the UK. He is particularly remembered for his work on science fiction programmes, most notably his extensive contributions to the long-running and hugely-popular Doctor Who.

In 1944, at the age of just sixteen, Holmes joined the army, fighting with the Queen's Own Cameron Highlanders regiment in Burma. He rapidly earned a commission, and as such became the youngest commissioned officer in the entire British army during the Second World War. The fact that he lied about his age to get into the army was discovered at his commissioning, but apparently the only reaction was by a general who praised him, adding that he had done the same thing himself.

Soon after the end of the war, Holmes returned to England and left the army, deciding to join the police. He trained at the elite Hendon College , graduating the top of his year and joining the Metropolitan Police in London, serving at Bow Street Police Station.

It was whilst serving at a Police officer that Holmes first began to develop an interest in writing as a career. When giving evidence in court for prosecutions against offenders, he would often note the excitement and frantic work of the journalists reporting on the cases, and decided that he would like to do similar work. To this end, he taught himself shorthand in his spare time and eventually resigned from the Police force.

He quickly found work writing for both local and national newspapers, initially in London and later in the Midlands. He also filed reports for the Press Association, which could be syndicated to a variety of sources, such as local or foreign newspapers. In the late 1950s he worked for a time writing and editing short stories for magazines, before in 1957 getting his first break in television when he contributed an episode to the famous medical series Emergency - Ward 10.

From this point on he found himself working almost exclusively in television drama for the rest of his career, with his first regular role being contributing episodes to the adventure series Knight Errant, before becoming that programme's Story Editor, responsible for the commissioning and development of scripts, in 1959.

He wrote several episodes of another medical drama, Doctor Finlay's Casebook, before in the early 1960s writing for a range of crime-related dramas: Dixon of Dock Green, The Saint, Ghost Squad, Public Eye and Intrigue all dealt with law enforcement in one way or another, and perhaps benefitted from Holmes' real-life experiences in that area.

It was in 1965 that he first began writing in the science-fiction genre, when he contributed scripts to Undermind, a body-snatching drama from ITV. He also worked in film for the first and only time, storylining the movie Invasion, several elements from which would later crop up in his 1970 Doctor Who serial Spearhead from Space, and which had already been heavily inspired by Nigel Kneale's 1955 Quatermass II serial.

The same year, he wrote on-spec an idea for a stand-alone science-fiction serial entitled The Trap, which he submitted to the BBC. There, Head of Drama Serials Shaun Sutton wrote back to Holmes, informing him that they were no longer interested in producing such serials, but that he might have better luck if he tried submitting it to the Doctor Who production office. This he did, and had a fruitful meeting with the show's then story editor Donald Tosh , but after Tosh left the show shortly afterwards, the script was forgotten and Holmes moved on to other projects.

In 1968, after some work on other projects appeared to be falling through, Holmes decided on the off-chance to re-submit The Trap (now The Space Trap) to the Doctor Who office, and again found a favourable response, this time from Assistant Script Editor Terrance Dicks. Although there was no slot available for the story, Dicks developed it with Holmes to cover the eventuality of an agreed script falling through. Sure enough this happened, and the again-retitled The Krotons quickly went before the cameras and was eventually transmitted as part of Doctor Who’s sixth season on air in 1969.

The story was regarded as a success by the production team, who quickly commissioned Holmes to write a second story for the season, The Space Pirates . Holmes and Dicks got on very well, so when Dicks was promoted to become the programme's full Script Editor, he frequently turned to Holmes for contributions.

Holmes wrote Jon Pertwee's debut serial as the Third Doctor, Spearhead from Space, in 1970. Between then and 1974 he contributed four stories to Pertwee's five seasons, introducing two alien races who would go on to become famous and recurring Doctor Who villains, the Autons and the Sontarans. During the early 1970s he also wrote for another BBC science-fiction show, Doomwatch, as well as other programmes such as the ATV series Spyder's Web.

When Dicks decided to leave Doctor Who in 1974, it was Holmes who emerged as his most obvious replacement as Script Editor, and he accepted the post, working alongside new Producer Philip Hinchcliffe to bring a new tone and direction to the programme, now fronted by new star Tom Baker.

Holmes was to remain Script Editor on the programme for the next three years, seeing it through one of its most successful eras in terms of both viewing figures and critical acclaim, although the stories he and Hinchcliffe oversaw were perhaps more than any other era of the programme sometimes criticised for being overly violent or frightening in tone by Mary Whitehouse and her National Viewers' and Listeners' Association.

During his time as Script Editor, as well as writing three of his own credited stories for the programme, Holmes performed complete ground-up rewrites on at least two other stories (which were broadcast under pseudonyms) and had a strong hand in almost every other script. It was very much his era of the show, although by 1977 he felt that he had done all he could for the programme and wanted to leave at the end of the fourteenth season. He was persuaded to stay on for a short while, as Graham Williams had taken over as Producer and it was felt that Holmes remaining would ease his settling in, but halfway through the following season when it was apparent that Williams was now firmly established, Holmes departed, handing over Script Editor duties to Anthony Read.

Nonetheless, Read was quick to turn to Holmes when it came to commissioning scripts for the sixteenth season, being keen to use writers who knew how the Doctor Who format was best used and could be relied upon to come up with usable scripts in good time. Holmes wrote two stories for the season, but after its broadcast in 1978 he did not return to the show for some six years.

During this time he wrote for various series, such as the BBC science-fiction show Blake's 7, on which he had been offered the Script Editor's post when it began in 1978, but declined as he had only just finished his role as such on Doctor Who and was not keen to go back to such strenuous work so quickly. Instead, he recommended writer Chris Boucher, who he had used on Doctor Who, to the Producer, and thus it was Boucher who in turn commissioned Holmes to write for the show. Other programmes Holmes worked on in the late seventies and early eighties included the police series Juliet Bravo and an adaptation of the science-fiction novel Child of the Voydoni, which was screened as The Nightmare Man in 1981.

In 1983, the then-current Doctor Who production team of Producer John Nathan-Turner and Script Editor Eric Saward sounded out Holmes about returning to the show to script the planned twentieth anniversary special, due for broadcast that November. Although Holmes had an unhappy time attempting to find a workable story using as many elements from the show's past as Nathan-Turner wanted and he eventually gave up on the assignment (the special was eventually scripted by Terrance Dicks), it did lead to a friendship between Saward and Holmes and eventually a commission to write a regular story for the twenty-first season.

The Caves of Androzani, as the story came to be titled, was Holmes's first script for the programme in six years, and is generally regarded by fans as being one of the best in the show's entire twenty-six year run. It saw the killing off of the Fifth Doctor as played by Peter Davison, and the return of Holmes as a regular contributor to the programme.

After writing The Two Doctors for the twenty-second season in 1985, Holmes was asked to contribute both the opening and closing installments to the special season-length story Nathan-Turner and Saward had conceived to span the entire twenty-third season, The Trial of a Time Lord. Production of the season was far from smooth, however, with tensions between Nathan-Turner and Saward, a lack of faith in the production from BBC executives and Holmes himself falling ill. He was particularly upset at comments made by BBC drama executive Jonathan Powell regarding his opening four episodes, and although he still agreed to pen the closing two episodes of the season, he died in May 1986 after a short illness, having only written one of them.

His last work to be broadcast was an episode of the detective series Bergerac, another show Script Edited by Chris Boucher, transmitted in 1987. He did little work outside of television, although he did novelise his script of The Two Doctors for Target Books in 1986.