Jeanne Eagels (June 26, 1890 – October 3, 1929) was an actress on Broadway and in several motion pictures.

Born Amelia Jeannine Eagles in Kansas City, Missouri. It was there that she began her acting career, appearing in a variety of small venues at a very young age. Her ambitions were such that she left Kansas City around the age of 12 and toured the Midwest with the Dubinsky Brothers ' traveling theater show. At first she was a dancer, but in time she went on to play the leading lady in several popular comedies and dramas put on by the Dubinskys. In or around 1911, she came to New York City and had to start at the bottom again. She started out as a chorus girl and this led to appearances in the chorus of the Ziegfeld Follies (i.e., as a Ziegfeld Girl). At one point her acting coach was Beverly Sitgreaves , who had once shared the stage with the great French actress Sarah Bernhardt.

She changed the spelling of her surname to "Eagels", allegedly because this spelling looked better in lights. Although she struggled for recognition as a dramatic actress, her beauty, talent and luck led to her getting bigger parts in better shows. Her acting career blossomed, and in 1914 she appeared in her first motion picture role. In 1916 and 1917 she made three films for Thanhouser Film Corporation .

Eagels eventually won recognition and kudos playing opposite the stage actor George Arliss in three successive plays. In 1918 she appeared in Daddies, a David Belasco production, and won even more notice. She had to quit this show due to illness (probably sinusitis) and she subsequently travelled to Europe. She appeared in several other Broadway shows once she returned, but in 1922 she made her first appearance as a star in a bone fide hit- Rain. She played the character of Sadie Thompson, a free-wheeling and free-loving spirit who confronts a fire-and-brimstone preacher on a South Pacific island. Critics raved about her tense, smoldering, and vivid performance. The house was packed nearly every night for two years. She went on tour with Rain for two more seasons, and returned to Broadway to give a farewell performance in 1926.

During this period she married 'Ted' Edward Harris Coy (1925), a former Yale University football star. The marriage was a stormy one and they divorced in 1928. They had no children together.

For her next role, Eagels was offered the part of Roxie Hart in the play Chicago, but walked out of this role during rehearsals, possibly due to conflicts with the director. After much speculation about her next play, she chose a comedy Her Cardboard Lover (1927) in which she appeared on stage with Leslie Howard. This play was a modest success, and after a season on Broadway, she took a break to make a movie. She appeared opposite John Gilbert in Man, Woman and Sin, which was directed by Monta Bell and made at MGM studios in California. She then went on tour with Her Cardboard Lover for several months. In 1928, after failing to appear for a performance in Milwaukee, Eagels was banned by Actors Equity from appearing on stage for 18 months.

The ban did not stop Eagels from working in film, and she made two "talkies" for Paramount Pictures, including The Letter and Jealousy (both released in 1929). Her performance in The Letter garnered high praise from critics.

Just before she was to return to the Broadway stage, Jeanne Eagels died suddenly at a hospital in New York City on October 3, 1929. Three medical practitioners gave three different causes for her death, all of which pointed to alcohol and drug abuse. In Kansas City, thousands of mourning fans were at the train station when her coffin was returned for interment in the local Calvary Cemetery. She was survived by her mother, Julia Eagles, and several brothers and sisters.

Eagels was posthumously nominated for the Academy Award for Best Actress for her role in the The Letter. The Oscar went to Mary Pickford for the film Coquette. Eagels' performance in The Letter inspired many actors new to the medium of talking pictures, including Bette Davis who repeated the role in a 1940 remake of the film.

External Links

• Jeanne Eagles page http://www.jeanneeagels.com