The Horned God is a modern syncretic term, invented in the 20th century to link together numerous male nature god s out of such widely-dispersed and historically unconnected mythologies as the Celtic Cernunnos, the Welsh Caerwiden, the English Herne the Hunter, the Hindu Pashupati, the Greek Pan and the satyrs, and even the Paleolithic cave painting "the Sorcerer" in the Cave of the Three Brothers in France.

There are a number of related British folk figures as well: Puck, Robin Goodfellow, and the Green Man.

Contents

1 Associations 2 Image 3 Satan 4 Post Christian depictions 5 Wicca 6 See also

Associations

In each culture, the Horned god is associated with woods, wild animals, and hunting. He is often also associated with Censored page or male virility . As a symbol of sexuality, the Horned God represents one of the most elemental forces in Nature, and is therefore complementary to female fertility deities known collectively as the Great Mother.

Another name for the Horned god is The Hunter. He is a symbol not only of the giving of life, but the taking of life too, in what is seen as a great and eternal cycle of birth, death, and rebirth. He sometimes carries a bow.

Image

The Horned god is always portrayed with horns, which are of course his distinguishing feature. The God's horns are considered symbols of male potency, strength and protection. Sometimes they are seen in a sense as phallic symbols. The horn has been a religious symbol for thousands of years. An altar made entirely of stag horns was built in the temple of Apollo at Delos, and temples to the Goddess Diana usually contained horns as well. The horn is also seen as a symbol of fruitfulness and bounty, as in the Horn of Plenty.

He is often portrayed with an erect phallus. The phallus is itself a symbol of the power to create life. Another symbol of his sexual prowess and virility is the occasional presence of cloven hoofs or the hindquarters of a goat. The goat itself is considered a symbol of sexuality.

Satan

During the rise of Christianity, a depiction of Satan as as a horned and hoofed goat-like monster holding a trident, adopted from Greek Pan, became popular. By adopting the image of the Horned God and transforming it into an image of the Devil, the Christian church convinced people that paganism was evil. The similarity does not extend beyond the image, of course; while Judeo-Christian Satan is described as a fallen angel and essentially Evil, the pagan Horned God is a force of nature, neither entirely benevolent nor entirely maleficent: In his role as Father, he gives life, but in his role as Hunter, he takes life as well. Positive aspects of the Horned god are re-attributed to Satan by the Church of Satan and similar branches of modern Satanism.

Post Christian depictions

Belief in and worship of the Horned god waned almost to extinction by the 19th century, although vestiges remained in local customs, particularly in the countryside. Ghost stories of Herne the Hunter and reverence of St. Cornus would be the strongest pre-wiccan remnants of the horned god. He makes a late appearance in art referred to in the moonlit last act of Verdi's final opera, Falstaff.

Wicca

Gerald Gardner began Wicca in England as a revival of ancient Pagan worship, focused on the duality of the Great God and the Great Mother. Today Wicca and other Neopagan religions claim about 1,000,000 adherents.

In modern Wicca, "The Horned God" can refer to any of these individually, or to the universal archetype they represent. In this context, he is sometimes referred to as the "Great God" or the "Great Father". He impregnates the Goddess, and then dies during the autumn and winter months and is reborn gloriously in spring, while the Goddess lives on always as Mother Earth, giving life to the Horned God as he goes through the eternal cycle of life, death, and rebirth.

See also

• Horned helmet
• Gundestrup cauldron