Genre studies is a structuralist approach to literary criticism, film criticism and other cultural criticism. It looks at the structural elements that combine in the telling of a story and find patterns in collections of stories. When these elements (or codes) begin to carry inherent information, a genre is emerging. A simple example of this is a Western movie where two men face each other on a dusty and empty road; one dons a black hat, the other white. Independent of any external meaning, there is no way to tell what the situation might mean, but due to the long development of the Western genre, it is clearn to the audience that it is a gunfight showdown between a good guy and a bad guy.

It has been suggested that genres resonate with people because of the familiarity, the short-hand communication, as well as nature of genres to shift with public mores. Many have considered genre storytelling as lesser forms of art because of the heavily borrowed nature of the conventions. However, admiration has grown. Proponents argue that the genius of an effective genre piece is in the variation, combinations, and evolution of the codes.

Genre studies has perhaps gained the most recognition in cinema theory, where it directly contrasts with the auteur theory of film criticism.

See also

• Hysterical realism